Agenda Test EN
Agenda Test EN
Agenda Test EN
Creators | Researchers | Artists
Cândida L. Borges (Brasil/ US)
Musician and transmedia artist, educator, composer, and scholar. Ph.D. in Computer Music from the ICCMR of Plymouth University (UK), Master in Music Performance/Piano from the Federal University of Rio de Janeiro (BR), Co-founder and director of the Transeuntis Mundi Project and the Brazilian Non-Profit Casa de Arte e Cultura.
Musician, composer and transmedia artist. She carries out artistic projects with emerging technologies, exploring the themes of transculturality and migration. PhD in Arts from the University of Plymouth (UK, 2022), Bachelor and Master in Music/Piano from UFRJ (RJ/BR, 2005), specialized in Electronic Music Production from the SAE Institute (NY/US, 2013), Cândida develops a career as an artist and educator. As a musician, she has been performing in concerts and festivals since a young age, from classical to electronic music. Her trajectory has important moments, such as the renowned Brazilian Award from the National Foundation of the Arts Funarte in 2012, the selection as an artist by the New York Foundation for the Arts, and the various festivals, congresses, conferences and awards for which her works were selected, such as the Lumen Prize (2022) and Best Sound of the Year Award (2023). Her works “Palm Hand” and “Mutations” stand out, part of the creations and research of his doctoral thesis “Transeuntis Mundi: a nomadic artistic practice”. Her research was developed between 2018-2021 at the ICCMR Interdisciplinary Center for Computer Music Research, in partnership with the University of Antioquia and as a visiting researcher at Columbia University (New York). The research resulted in several articles and publications in England, Portugal, Argentina and the United Kingdom, being recognized in the list of the top authors in the art, science and technology fields by the publication Leonardo MIT. Borges worked as a professor at the main universities in Rio de Janeiro (UNIRIO, UFRJ and Cândido Mendes) and as a guest professor at international universities. She founded and runs the NGO Casa de Arte e Cultura since 2001, promoting art and education. Her work and career can be found at www.candidaborges.com.
Gabriel Mario Vélez (Colômbia)
Visual and transmedia artist, professor, arts administrator and scholar from Colombia. Dean of the Antioquia University School of Arts (Medellín, Colombia), Pos-Doc from the National University of Córdoba (Argentina, 2011), Doctor/Master of Fine Arts from the Complutense University of Madrid (Spain, 2004) and Bachelor in Fine Arts from the University of Antioquia (Medellín/ Colombia, 1993). Co-founder and artist of the Transeuntis Mundi Project.
Transmedia and visual artist, teacher and researcher. The Dean of the Faculty of Arts of the University of Antioquia since 2017. About his education, he is a Post-Doc from the National University of Córdoba (Argentina, 2011), Doctor/Master in Fine Arts from the Complutense University of Madrid (Spain, 2004) and graduated in Arts from the University of Antioquia (Medellín/Colombia, 1993). He teaches undergraduate and graduate programs at the University of Antioquia and as a visiting scholar for other international programs. His work has been presented individually and collectively, in exhibitions with special representation in Latin America; among other spaces, in the Museum of Modern Art of Medellín, the Buenos Aires Film School (Argentina), the Artistic Development Center of Havana (Cuba) and the Museum of Contemporary Art of Niteroi (Rio de Janeiro, Brazil 2023). His artistic work has received awards in different circuits and his texts have been published in books and magazines; among others, the Colombian Photography Salon (winner in 1998 and 2000), his book “Photography as a magical device” (University of Medellín Press); the multimedia “The minimal stories of the anonymous passerby” (University of Antioquia Edition); and the book “The death of the subject and emerging subjectivity” (University of Córdoba Press), presenting the results of his postdoctoral research. His professional activity includes international conferences, curatorships, the development of social, cultural and artistic projects. Among his main current artistic projects, we point out the “Transeúntes Medellín” and “Transeuntis Mundi”, which have been exhibited worldwide and received funds and recognition from various international calls, such as the Lumen award for art and technology (UK, 2022). His work can be seen at www.gabrielmariovelez.com.
Transeuntis Mundi is a journey about how mobility through space and time has created geographies and the actual transcultural and transnational humanity. It evokes the power of ancestry, identity and legacy by presenting a conceptual piece of new technology art, powered by 3D audio and virtual reality, projections, sound sculptures and performative actions.
The Transeuntis Mundi Project proposes to capture the sound and visual memory of peoples, cultural expressions and places to artistically tell the story of the millennial passersby that have been crossing the world. It currently portrays the diversity of various countries and continents and generates a poetical/documental archive of human cultural heritage.
The expression Transeuntis Mundi comes from Latin, the lingua franca of the expansion of Western Culture. It personifies the human being who has been taking the adventure to discover and explore the world.
Its methodology employs Walkscapes recordings with immersive 360° technology. From this archive, it starts a process of transmedial composition: the creation of virtual reality works, videos, photographs, sound art, musical compositions and performance, with the aim to immerse the observer/participant into an experience beyond their space and time. In short, it is a combination of knowledge, innovation and poetics, supported by the processes of artistic research and mediated by transmedial technology.
3D sound and image – To be watched with headphones and preferably with VR Headsets. In the computer, touch the video and slide it to rotate and experience the interactive 3D audio and image.
Convites e eventos para o incentivador
Agradecimento ao CHN no Livro de Artista
Tiragem de 200 cópias. 10 unidades para o CHN, 10 unidades para a Secretaria de Culturas de Niterói, 180 unidades contempladas gratuitamente a artistas, formadores de opinião no Brasil e internacionalmente.
Agradecimento ao CHN no programa da exposição
10.000 exemplares distribuídos gratuitamente ao público visitante
Post exclusivo em agradecimento ao CHN pelo apoio a este projeto
Texto de rodapé de todas nossas postagens com agradecimento ao CHN e Rede Dasa:
“Esta exposição celebra os 5 anos de existência do Projeto Transeuntis Mundi. Esse trabalho foi fomentado pela Prefeitura Municipal de Niterói, Secretaria Municipal das Culturas e Fundação de Arte de Niterói. Uma realização da Criarte Casa de Arte e Cultura, Rapsódia Empreendimentos Culturais e Sevenx Produções Artísticas. Nosso agradecimento mais que especial ao nosso grande apoiador, o Complexo Hospitalar de Niterói (CHN), que faz parte da Dasa, maior rede de saúde integrada do Brasil, por investir na inovação, pesquisa e arte contemporânea brasileira! Cultura faz bem à saúde!
#macniteroi #niteroi #vrbr #arteetecnologia #transeuntismundi #arteniteroi #realidadevirtual #webderive01 #webvr #culturaniteroi #tmmac2023 #candidaborges #gabrielmariovelez #redeDasa #complexohospitalardeniteroi”
Menção nos programas das rádios:
Menção do CHN nas mídias impressas
Revista Prosa Verso e Arte, Agosto de 2023.
O São Gonçalo, Agosto de 2023.
“Essa exposição no MAC é realizada pela Criarte Casa de Arte e Cultura e Rapsódia Empreendimentos Culturais, com o apoio da Lei municipal de Cultura na cidade de Niterói. O projeto conta com o apoio à pesquisa e arte da Universidade de Antioquia (Colômbia), do Complexo Hospitalar de Niterói (CHN), que faz parte da Dasa, maior rede de saúde integrada do Brasil, do projeto Music Not Impossible, e da empresa Zoom US.
Agradecimentos especiais ao MAC, à Prefeitura de Niterói e Fundação de Arte de Niterói.”
“Sobre o Complexo Hospitalar de Niterói
Inaugurado em 1991, o Complexo Hospitalar de Niterói (CHN), que faz parte da Dasa, maior rede de saúde integrada do Brasil, é, atualmente, o maior conglomerado de saúde do estado do Rio de Janeiro. O hospital está focado em alta complexidade, com especialidades centrais nas áreas de cardiologia, oncologia, neurologia, cuidado materno-infantil e de transplantes em várias modalidades. Além da exposição Transeuntis Mundi, o CNH apoiou vários projetos de fomento à Cultura de Niterói como a Orquestra da Grota e o Prêmio Sou de Niterói.”
Revista “Transeuntis Mundi e CHN no MAC Niterói”
O livro, o lançamento
O programa
Os visitantes podiam levar um pouco da exposição para suas casas! Além de apresentar a exposição e seus conceitos, o programa continha obras de fotografia e realidade aumentada!
Compartilhando conhecimento
Visita guiada com os artistas
TM Deriva 01 nas Escolas: Um workshop para professores
Mesa redonda com artistas
Workshop para artistas e monitores da exposição
A opinião do público
“Muito maneiro a gente passar de um ambiente pro outro e sentir que mudou.
Sentir calor, sentir frio, sentir todas as sensações no corpo.”Verônica, Região dos Lagos
“Eu gostei muito da exposição porque é interessante.
Como eu sou arquiteta, de ver os prédios do lado de fora e por dentro,
de vários lugares diferentes.”Carla, Niterói
“- Nós temos a impressão de estar em um filme de ficção científica. Foi ótimo!”
“- Uma máquina que nos transportava de cidade em cidade.”Caroline e Roman, França
“Eu acho que é uma exposição que tem uma contribuição cultural, mas tem uma contribuição
no âmbito da educação e especificamente pra geografia.”Amélia Cristina