Agenda Test EN
Agenda Test EN
Agenda Test EN
Transeuntis Mundi is a transmedia artistic project, which includes a set of works in different media. In its exploration of the 360-degree technology, a collection of images portray their narratives, moments and places. They look like photographs, but they are also living works, full of sounds and stories. Each of these images tells one or several “minimal stories”, in their local languages, for a transcultural immersion, including the melody of the languages. Some pieces have accessibility elements as well.
To bring your images to life, follow the steps below:
1. Install the ARTIVIVE app on your cell phone or tablet – For Android For OS
2. Ideally, connect a headset – if you have one nearby (Optional).
3. Open the app and point your camera at the image. Immerse yourself/Contemplate.
Transeuntis Mundi Deriva 01 is a series that contains 8 vivid photograph pieces with augmented reality. These works can be visited in our exhibitions, in their programs and in our ARTIST BOOK.
These works are available to be acquired for private collections (serial collection).
Discover the works HERE.
More information HERE.
- Borges, C. (2023). Sound of the Year British Library Board. May, 2023. London, UK.
- Vélez, G., Borges, C. (2023). Las historias mínimas del anónimo transeúnte: Las sonoridades a viva voz. Revista Corpo-grafías: Estudios Críticos de y desde los Cuerpos, 10(10), pp. ISSN 2390-0288. https://revistas.udistrital.edu.co/index.php/CORPO/issue/view/1143
- Borges, C. (2023) Transeuntis Mundi – a nomadic artistic practice. PhD Thesis. University of Plymouth, UK, 2023. Available at https://pearl.plymouth.ac.uk/handle/10026.1/20485
- Borges, C., Salazar, G. (2023) Derive 01 E Web Derive 01: Realidades Virtuais Do Projeto Transeuntis Mundi. Part of “Storybits I – Narrativa e media digitais”. LABCOM. Universidade da Beira Interior Rua Marquês D’Ávila e Bolama. 6201-001 Covilhã. Portugal www.ubi.pt. Covilhã, 2022. ISBN 978-989-654-887-2 (papel). DOI 10.25768/ 654-889-6.
- Borges, C. “‘Transeuntis Mundi – artistic research across borders” 2022 Doctoral Conference at the University of Plymouth. Faculty of Arts, Humanities and Business “Research that Impacts Lives, Businesses and Societies”
- Borges, C. “Web Derive 01 – an online performance of the Transeuntis Mundi Project” 2021 Doctoral Conference at the University of Plymouth. Faculty of Arts, Humanities and Business “Research that Impacts Lives, Businesses and Societies”
- Borges, C. Postgraduate Research Showcase (2020) The Transeuntis Mundi Project. University of Plymouth. Plymouth, UK. March 2020.
- Borges, C., Salazar, G. (2019) Transeuntis Mundi – an installation about migration and human legacy. Frameless Symposium & Journal Submission 2019. New York, US. Available at http://framelesslabs.rit.edu/wordpress/wp-content/uploads/2019/11/TranseuntisMundi.pdf
- Borges, C. (2019) The Transeuntis Mundi Project: an immersion into human cultural heritage. DRHA Radical Immersions 2019: Book of Abstracts. Watermans Arts Centre, London, UK. Available at http://www.2019.drha.uk/wp-content/uploads/2019/09/DRHA2019-Abstract-Booklet.pdf
- Salazar, G. (2009) Las historias mínimas del anónimo transeúnte. Breve reseña de un episodio urbano. Co-herencia Magazine. Vol. 6. nº 11. p. 149-164. Medellín, Colombia. ISSN 1794-5887. Available at https://transeuntismundihome.files.wordpress.com/2019/01/artigo-transeuntes.pdf
Include your city to the Transeuntis Mundi Project Map
Transeuntis Mundi is an ongoing project, constantly interested in capturing new images and sounds from the transeuntis in different cities around the world in new fieldwork expeditions.
*Supports for this project are tax-deductible in some countries.
Get in contact to know how to participate in the project
“Hechiso”
“Hechiso“: It is used in the popular language to refer to what is produced in an artisan way, outside the industrial circuits.
Synthesis
Hechiso is a program for the development of artistic projects related to the community. It demands the relationship with the inhabitants of the surroundings, seeking a formula of collaborative work or articulation with the particularities of the inhabitants of the territory. In this sense, aims to establish an intersection between the artist, who arrives without context, but carrying an equally valid tradition, and the members of the community, the holders of localized knowledge.
In this case, the inhabitants of the community are called peasants, located in the municipality of Barbosa, a town located north of Medellin (about 1 hour) – in the Andes of Colombia – at an altitude of 1,400 meters above sea level. Therefore, the conception of the world will be linked to rural life but conditioned by the proximity of a city with so many tensions as has been the city of Medellin.
The duration of the artistic residency is from 2 weeks to 2 months.
See: www.barbosa.gov.co
Artistics Workshops
WALKSCAPES – Walking as an esthetic practice for field recording
This workshop presents the methodology of the Transeuntis Mundi Project as a creative tool for audiovisual and performance projects. The practice of Walkscapes leads to an exploration of the city, architecture, cultures, personalities, and narratives, in an immersive and creative approach. In this workshop, it will be presented the parameters and manuals of collaborative recordings to guide the elements of artistic and technical creation.
DNArchive: An Artistic Experience about Time, Migration and Ancestrality
Looking back hundreds of generations, how would things sound like music? How would they move in space and time? Also, how can the past anticipate the future and the future anticipate the past? In this composition workshop, the audience is invited to investigate images, objects, movements and sounds that are stored in your DNA as memories, impressions, forms and stories. This workshop is an invitation to identity and memory, which aims to produce material for future interdisciplinary compositions, performances and installations.
Audio and video edition in 360º technology
This workshop explores the creation of 3D audiovisual content, examining the processes of pre-production, production and postproduction of audio and video content in 360º. It contains a theoretical and practical approach, from the history of immersive technology to the practice of recording, editing and publishing a project. This course has advanced technical requirements for its realization. Consult the technical plan.
Conferences and Specialized Workshops
Some possible topics, ministered by a transdisciplinary team:
- New communication technologies and technological innovation
- Art and culture
- Global and migration policy
- Social inclusion and accessibility
- Migration and sustainability
- Cultural entrepreneurship
- Social Innovation
- Technology for interactive education
- Pedagogies and didactics for creativity
- Creativity as a transdisciplinary tool